Music and sound for worlds built to thrill.

Everything a guest hears from gate to gate: musical identities for each land, queue and walkway atmospheres, on-ride audio, show and parade scores, announcements and character voices, retail and dining beds, seasonal overlays, and the mixes and file packages your show-control system needs to play them back.

We write each land a musical family of its own: themes, instrumentation and textures that tell you where you are with your eyes closed. The families are designed to sit side by side, so crossing from one land to the next feels like turning a page rather than changing the channel.

Yes, to the second. Queue atmospheres that build anticipation, station and load-area beds, on-ride music timed to lift hills, drops and reveals, and safety spiels performed in character, mixed for the actual speaker positions on the ride.

By composing for the loop from the start: long-form pieces with enough internal variation that guests never notice the join, and the people working the zone all day do not tire of them. Where the platform allows it, we build alternating and time-of-day variations so the park breathes.

Yes. Wayfinding, safety and show announcements, character voices and seasonal messaging, cast from more than 1,000 professional voices across 100 nationalities and recorded in every language your guests speak, directed so the park sounds like one world rather than a dozen disconnected recordings.

Always. We deliver stems, loops and trigger-ready files named and formatted for your show-control and playback systems, work comfortably across Dante-networked AV, and stay alongside the integration team through commissioning until every zone plays back as designed.

Yes. A park does not need to rebuild its audio to feel new: seasonal overlays, updated zone loops, a new show score or a refreshed announcement package can transform how a familiar space feels, and we design them to work inside your existing playback systems.

SeaWorld Abu Dhabi’s sonic logo, the launch campaigns for Six Flags Qiddiya and Aquarabia, the grand opening of Dubai Parks & Resorts, the Zero Degrees Room in Abu Dhabi and the Expo 2020 x Minecraft New Year show, with work across Legoland Dubai, Garden in the Sky and the VOV arena. Hear a selection above.

Both, led by the brief and the budget. Original music where identity matters most, the land themes, the ride scores, the signature moments, and licensed or library music where speed or budget leads, with one mix that makes the join invisible. Most parks combine the two without guests ever hearing the seam.

The environment fights you: splash zones, wind, crowd roar and hard architectural surfaces all eat detail. We mix for the real acoustic conditions of each zone rather than a studio ideal, lean on arrangements that carry outdoors, and test on site, so the original music and sound design survive the space they play in.

A single zone, show or attraction typically runs four to eight weeks from approved brief to installed files. A full park, scored land by land, is planned around the construction and commissioning schedule, often across a year or more. Seasonal overlays and refreshes move much faster.