Music licensing best practices
From greatest hits to contemporary pop, classical to jazz, we can source any style you are looking for through our in-house music library as well as our partnerships with many of the world’s best suppliers of library music. All of this while taking care of all of the necessary legal requirements and licensing agreements.
”WithFeeling has entered into a global multi-year agreement with Abu Dhabi based music publisher PopArabia, and an affiliation with Gulf rights organization ESMAA to manage and collect royalties due to music creators.
PopArabia and ESMAA founder Spek commented, “Chris and I have known and worked together for over 15 years, most recently on the Expo 2020 project. We look forward to working with the team at WithFeeling to ensure their music copyrights are managed and protected appropriately – while providing music licensing services on projects where needed”Spek.Founder at PopArabia & ESMAA / EVP International & Emerging Markets at Reservoir Media Management, Inc.
If budgets and time are tight, library music is often the most practical solution. If you have a specific music company, artist or track you want to work with, let us know and we’ll see what we can do, or suggest something similar in our own music library.
A Co-Founder and Managing Director of WithFeeling, Chris is an all-around creative, experienced senior music producer and award-winning multi-media specialist with twenty years of experience. Chris has a background in music strategy, consultancy, music production and talent management for leading brands, including BBC World Service and Expo 2020 Dubai.
In his role at Expo 2020 Dubai, Chris led the creation of the Official Theme Song “This is Our Time” while also producing Expo 2020’s sonic branding and identity. Chris led the design and production of the audio strategy that delighted visitors for six months through the soundscapes across all public spaces and was responsible for the audio and media production for many bespoke events, conferences as well as exhibitions spaces. In his multimedia production role, Chris also led a team of Animators and Designers who created thousands of pieces of content displayed on the 500 screens every day for six months.